“The Designer Designed by Humans” describes a character who gets rid of the topics that have defined his historical practice to re-describe him as a product of a technological, hyperconnected and innovative society on the one hand and collaborative, participatory and politicized by some other. This new designer enacts the interaction with what surrounds him as the fundamental instrument of his work that is summarized as the processing of an endless amount of information received through an open and dialogic practice that turns any conversation into an ideal medium that moves away from The table, the sketches notebook and the solitary moments to make design decisions.