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Glass pavilion prototype
Glass pavilion prototype
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Glass pavilion prototype

Glass pavilion prototype

The proposal offers installation of great simplicity but of high poetic content that solves a set of different situations thanks to elementary operations of rotation or horizontal and vertical sliding. With this exercise, we insist on the idea of ​​spatial fluidity, the programmatic indetermination of space and the need to provide technical resources with architectural responsibilities beyond their intrinsic mission. The three-dimensional display drawn by the profiling and the changing transparencies of the stained glass accompany the visitor in a kinetic experience that links with the work of artists such as Dan Graham and Larry Bell or previous projects such as the offices for Hispasat. These ephemeral projects allow us to experience design lines that we have open in our study and that are difficult to verify in the project phase; in this case, we have taken the opportunity provided by this collaboration as a testing laboratory of the subdivision system of the meeting center currently under construction Ágora-Bogotá “for which they pursue the maximum versatility of their meeting places to the point of disappearing absolutely. For this, a set of solutions of great versatility and quality is essential, but of elementary handling, something that visitors can verify by themselves verifying the technical and aesthetic qualities of the solutions used in their design.

Glass pavilion prototype

The proposal offers installation of great simplicity but of high poetic content that solves a set of different situations thanks to elementary operations of rotation or horizontal and vertical sliding. With this exercise, we insist on the idea of ​​spatial fluidity, the programmatic indetermination of space and the need to provide technical resources with architectural responsibilities beyond their intrinsic mission. The three-dimensional display drawn by the profiling and the changing transparencies of the stained glass accompany the visitor in a kinetic experience that links with the work of artists such as Dan Graham and Larry Bell or previous projects such as the offices for Hispasat. These ephemeral projects allow us to experience design lines that we have open in our study and that are difficult to verify in the project phase; in this case, we have taken the opportunity provided by this collaboration as a testing laboratory of the subdivision system of the meeting center currently under construction Ágora-Bogotá “for which they pursue the maximum versatility of their meeting places to the point of disappearing absolutely. For this, a set of solutions of great versatility and quality is essential, but of elementary handling, something that visitors can verify by themselves verifying the technical and aesthetic qualities of the solutions used in their design.

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